20.500.12556/RUL-109009 Škofjeloški pasijon v luči medreligijske prisotnosti The Passion of Škofja Loka in Context of Interreligious Presence Dramsko besedilo in procesijo Škofjeloški pasijon (v nadaljevanju ŠP) patra Romualda Marušiča iz l. 1721 v Škofji Loki (Sloveniji) spremlja od samega začetka glasba. Avtor na podlagi novih, sodobnih izvedb s pomočjo avdio- in videoposnetkov piše o vsej glasbi ŠP. Začne z njenim izvirnikom in prvimi postavitvami, ki so še najmanj dokazljive in zato hipotetične. V morda malce daljšem uvodu prinaša repertoar slovenskih postnih pesmi in Tolminskega rožarja kot eno izmed najbolj verjetnih »podlag« za ŠP. Navaja glasbene dodatke Josipa Čerina, Nika Kureta in Stanka Premrla, pa glasbo, ki sta jo za zadnje novodobne škofjeloške procesijske obnovitve ŠP prispevala Andrej Misson in Tone Potočnik, medtem ko sta jo za statično postavitev v Drami SNG Ljubljana (2000) prispevala ljudska pevka Ljoba Jenče in slovenski skladatelj Aldo Kumar. Predstavljena je nova uglasbitev ŠP v Ljubljani in Škofji Loki (2002) slovenskega skladatelja Alojza Srebotnjaka. Razpoložljiva dela so predstavljena muzikološko analitično, v zaključku pa avtor potegne med njimi določene vzporednice in izpostavi določene prednosti ene in druge (glasbe). Vsem je skupno edinole izvirno besedilo: diplomatični prepis, preprosta fonetična transkripcija s prevodom neslovenskih delov besedila o. Romualda, na katerem slonijo tudi vse omenjene (nove in sodobne) izvedbe glasbe za ŠP. The dramatic text and procession of PŠL of Father Romuald Marusic from the year 1721 in Škofja Loka (Slovenia) have been according from the beginning the music. The author writes about all music on the basis of new contemporary performances according audio- and video-recordings: from the original and the first performances of PŠL – which are the least provable and therefore hypothetic - on that account is there a little longer introduction, which brings the repertory of Slovene fast songs, the Rosary of Tolmin/Tolminski rožar (as one of the most credible “basis” for PŠL, there are musical additions of Josip Čerin, Niko Kuret and Stanko Premrl, and the music, which is for the last “new-age” performances of procession reconstructions of PŠL, itself has contributed Andrej Misson and Tone Potočnik; for statiscical arrangements of PŠL. The other performances have arrived in Drama (of Slovene National Theatre in Ljubljana, 2000) the folk singer Ljoba Jenče and the Slovenian composer Aldo Kumar. There are the new composed composition of PŠL – in Ljubljana and in Škofja Loka are performed (2002) – by Slovene composer Alojz Srebotnjak. Available works are represented by musicological and analytical, then author draws during them certain parallels in conclusion and he puts up fixed preferences of either music. All of them are unitary the text of PŠL: diplomatic transcription, simple phonetic transcription with translation non-Slovene parts of text of P. Romuald; by them is leaned all mentioned (new and contemporary) performances of music of PŠL. slovenske postne pesmi procesije Škofjeloški pasijon glasba he Slovene fast songs procession the Father Romuald of St. Andrea-F. Romuald or Laurence Marusic (Marusig) the Rosary of Tolmin true false false Slovenski jezik Angleški jezik Članek v reviji 2019-08-18 23:27:13 2019-08-18 23:27:13 2022-08-21 03:39:20 0000-00-00 00:00:00 2015 0 0 Str. 145-156 št. 1/2 Letn. 70 2015 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 792.246(497.4Škofja Loka) 2335-4127 URN:NBN:SI:doc-7MNMV11C 10293763 268194560 RAZ_Kriznar_Franc_i2015.pdf RAZ_Kriznar_Franc_i2015.pdf 1 F27069EA1688CAB0E7DE2FD975A6B7D1 8f86944b5311108a6433822c1f38afbd66575dbb82144cedbbaaf30ae33ecfcb c2174a49-a1b6-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=120272 https://www.dlib.si/details/URN:NBN:SI:DOC-7MNMV11C 1 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=120273 http://www.teof.uni-lj.si/uploads/File/Edinost/70/Kriznar.pdf 1 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=120275 Teološka fakulteta Edinost in dialog 0 0 0