20.500.12556/RUL-108317 Odlivanje prezence v večno in (ponotranjeni) prostori krajine / Onkraj Casting the Presence into the Eternal and (the Internalized) Spaces of Landscape / Beyond Magistrsko delo obravnava tiste vidike umetniškega dela, ki so vezani na njegovo časovnost in resnico. Pri tem je izpostavljena problematika delovanja slikarstva na območju iluzije. Na posameznih primerih je motiv krajine analiziran prek njenih osnovnih gradnikov, ter globljih razsežnosti, kot sta področje spomina in sublimnega. Zaradi specifike žanra je posebej obravnavano kitajsko krajinsko slikarstvo s svojim edinstvenim estetskim stališčem. Umetnost raziskuje polje minljivega, zato delo prevprašuje, čemu dojeti in sprejeti (lastno) minljivost tako z vidika/gledišča človeka, kot umetnika. Tematika časa je predstavljena predvsem v filozofskem kontekstu in v več možnih odnosih; z (ne)omejenostjo, torej z večnostjo nasproti minljivosti, s prezenco kot izpostavljenim časovnim odsekom, kakor tudi s časom v odnosu s samim motivom krajine. Na podlagi tega je pojasnjena preobrazba dela, obračajočega se v brezčasje. Poleg časovne razsežnosti je hkrati poudarjena tudi prostorska, ki je sicer nakazana že v poglavju motiva krajine. Cilj je ? znotraj umetnosti in krajinskega slikarstva, raziskati, kar je neminljivo, ter večplastnost prostora. Lastna serije del, ki predstavlja del naloge, temelji na prostorski študiji izbranega motiva in je interpretacija osebne izkušnje potovanja, odpirajočega se kot prostora samozavedanja, želje in tranzicije. The master's thesis deals with those aspects of the artwork related to its time and truth, exposing the problem of the functioning of painting in the area of illusion. In individual cases, the landscape is analyzed through its basic building blocks, as well as deeper dimensions, such as the area of memory and sublime. Due to the specificity of the genre, Chinese landscape painting is specifically addressed with its unique aesthetic position. Art explores the field of the transitory, therefore the artwork questions why comprehend and accept one’s (own) transience, both, from the perspective/point of view of human and the artist. The theme of time is presented primarily in the philosophical context and in several possible relations; with (un) boundedness, that is, with eternity versus transience, with presence as an exposed time segment, as well as with time in relation to the very motif of the landscape itself. On this basis, the transformation of the work turning to timelessness is explained. In addition to the time dimension, the spatial is also emphasized, which is already indicated in the chapter of the motif of the landscape. The goal is to explore, within art and landscape painting, what is eternal, and the multi-layeredness of space. The own series of works, which forms part of the thesis, is based on a spatial study of the chosen motif and is an interpretation of the personal experience of a journey, opening up as a space of self-awareness, desire and transition. Slikarstvo Umetnost Krajina Narava Prostor Večnost Prezenca Magistrska naloga Painting Art Landscape Nature Space Eternity Presence MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2019-06-28 08:35:02 2019-06-28 08:35:04 2022-08-20 03:45:45 0000-00-00 00:00:00 2019 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 14477 815.pdf 815.pdf 1 B506CABA2DBF6D2EAE5D70FE6DBE5D30 58e0d0e70b7a4de3784386de18142eeac8611083a5c3446127ab584c5d0a0767 9e7642dc-a1b6-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=119272 Akademija za likovno umetnost in oblikovanje 0 0 0