20.500.12556/RUL-105124 Ujetje časa/Maketa mojega življenja Catching time/The maquette of my life V delu Maketa mojega življenja skušam skozi interpretacijo umteniških del, nastalih v obdobju med letoma 2015 in 2016, in interpretacijo pojma časa razumeti smiselno bistvo ustvarjalnega nagona, ki se bori proti lastni minljivosti. V teoretičnem, prvem delu predstavim nekaj odgovorov na sledeča vprašanja – kaj je čas, kako je nastal ter kako ga ljudje doživljamo. Izpostavim bistvene zgodovinske opredelitve časa, razmišljanja mislecev o minevanju časa ter človekovem bivanju v času, ki jih je v svoji knjigi Štirje časi: filozofski pogovori in samogovori: Poletje povzel Marko Uršič. Predstavim tudi Proustov pogled na intuicijo in človekovo dojemanje resničnosti. V drugem delu z intuitivnim opazovanjem skušam razložiti svoja dela, ki so nastala na podlagi spoznavanja in razumevanja lastnih občutkov in okolja, da bi prišla čim bližje odgovoru o smislu lastnega ustvarjalnega delovanja in bivanja. Skozi delo skušam najti kar se da čisto in izvirno misel, ki bi mi pomagala razumeti lastno stisko zaradi minevanja časa. Ugotovitve in misli v drugem delu povežem in podprem s filozofskimi interpretacijami iz prvega dela, pa tudi obratno. In the master thesis Maquette of My Life I intrepret my art work that was made between the years 2015 and 2016 and different aspects of experiencing time. Through those interpretations I try to answer what is the sense of my personal instinct to create – the same instinct that fights against its own mortality. In the theoretical part I investigate the following questions – what is time, how it began and how people experience it. I expose the main historical definitions of time and thoughts of thinkers about the passing of time and the human position in time. I find references in Marko Uršič's book Four Seasons: Summer. I also present Proust's view on intuition and human perceiving of reality. In the second part I try to explain my work by intuitive observation. Those works were made by analysing and understanding of personal feelings and the environment surrounding me. This is how I wanted to come as close as possible to myself and find the sense of my existance and my role as an artist. Throughout the work I try to find a pure and original thought that could help me understand my anxiety coming from loosing life – time. I connect the findings and thoughts from the second practical part with the philosophical interpretations from the first theoretical part of the thesis and vice versa. slikarstvo trenutek minljivost magistrsko delo čas painting moment transcience master work time master thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2018-10-27 08:35:02 2018-10-27 08:35:05 2022-08-17 03:46:51 0000-00-00 00:00:00 2018 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 13702 724.pdf 724.pdf 1 629793F4655AD08CB491E711B400788D a50d411544e564d5247d77fc1ad7739dd1f13a763837349a67e984616c4430de 1e7feb53-a1b6-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=115719 Akademija za likovno umetnost in oblikovanje 0 0 0