20.500.12556/RUL-104628 Meja med umetnostjo in pornografijo diplomsko delo Diplomsko delo povzema teorije in definicije še danes nepopolnoma razrešenih pojmov "umetnost" in "pornografija" ter skuša združiti po nekaterih strokovnih mnenjih nezdružljivo, hkrati pa ta pojma razmejiti z navajanjem razlik med umetnostjo in pornografijo. S tem namenom raziskuje tradicijo spolnosti in spolnega upodabljanja v antični Grčiji, Rimu, na Kitajskem in v Indiji ter književne primere iz zadnjih dveh stoletij, Pod strehami Pariza Henryja Millerja, Naslado Elfriede Jelinek, Shizota Franja Frančiča in Izgubljena dekleta Alana Moora in Melinde Gebbie, pri čemer se s kančkom dvoma opira na najbolj splošno uveljavljeno institucionalno teorijo umetnosti Georgea Dickieja, definicijo pornografije Caroline West in opredelitev erotične umetnosti Hansa Maesa. Vzpostavlja kritičen odnos do aparatov represije, kar zadeva spolnost, in do pornografije, ki lahko služi kot orodje za krepitev ali oviranje ženske emancipacije, nazadnje pa ugotavlja, da je meja med umetnostjo in pornografijo veliko bolj zabrisana, kot si morda predstavljamo. Undergraduate thesis summarizes the theories and definitions of still unsolved concepts of "art" and "pornography", tries to join, according to some of the professional opinions, the incompatible, and at the same time delimit these notions by listing the differences between art and pornography. With this intention, thesis researches the tradition of sexuality and sexual depictions in ancient Greece, Rome, China and India, and literary examples from the last two centuries, Henry Miller's Under the Roofs of Paris, Elfriede Jelinek's Lust, Shizo by Franjo Frančič and Lost Girls by Alan Moore and Melinda Gebbie, wherein still a bit doubtfully relies on the George Dickie's most commonly established institutional theory of art, the definition of pornography by Caroline West, and the definition of erotic art of Hans Maes. It establishes a critical view towards repressive mechanisms of sexuality, and towards pornography, which can serve as a tool for strengthening or obstructing women's emancipation, but ultimately notes that the line between art and pornography is far more blurred than we might imagine. umetnost pornografija spolnost erotika erotična književnost diplomsko delo true false false [N. Poberžnik] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2018-10-09 09:32:09 2018-10-09 09:32:11 2022-08-17 03:44:44 0000-00-00 00:00:00 2018 0 Ljubljana 2018 Ljubljana 47 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 82.091-993 67754082 RAZ_Poberznik_Nela_i2018.pdf RAZ_Poberznik_Nela_i2018.pdf 1 A20F5CB524CA49C5D81A33BE41A0F7C5 74c55a2e44a96a3a51003f1ced9f3585d7b14df4fcd2fec61f489aed22ef5abd 0629aa3a-a1b6-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=115154 Filozofska fakulteta 0 0 0