20.500.12556/RUL-104508 Pojem potujitvenega efekta pri ruskih formalistih in Brechtu diplomsko delo Diplomsko delo se ukvarja s pojmom potujitvenega efekta pri ruskih formalistih in Bertoltu Brechtu. Pojem potujitvenega efekta prvi vpelje v svojo teorijo Viktor Šklovski, vodilni član ruskih formalistov. Pojem potujitvenega efekta ruski formalisti povezujejo z umetniškostjo, z lastnostjo, ki loči umetniški tekst od neumetniškega. Potujitveni efekt namreč povzroči, da vsakodnevno zaznavo predmeta ali dogodka, ki je v naši zavesti že avtomatizirana, postavi v nov kontekst in jo s tem potuji. Vsakodnevna zaznava se tako preko potujitve spremeni v umetniško zaznavo, ki je temelj umetniškosti. Pojem potujitvenega efekta od ruskih formalistov prevzame Bertolt Brecht. Vendar Brecht potujitvenega efekta ne uporabi v namen vzbujanja umetniškosti, ampak mu služi kot spodbuda k družbenokritičnosti posameznika. Preko potujitvenega efekta lahko Brecht na gledališkem odru pokaže družbene odnose izven vsakodnevnih običajnih kontekstov ter s tem omogoči gledalcu, da do družbenih odnosov in dogodkov ohrani distanco, s tem pa tudi kritičnost, ki je potrebna za družbene spremembe. The diploma thesis researches the term defamiliarization effect with Russian formalists and Bertolt Brecht. The term defamiliarization effect was first introduced into his theory by Victor Shklovsky, the leading member of Russian formalists. The term defamiliarization effect Russian formalists connect with artistry, with a characteristic, which separates an artistic text from a non-artistic one. Defamiliarization effect causes that our everyday perception of an object or event, which is automatized in our consciousness, is put into a new context and therefore defamiliarize it. Everyday perception changes into an artistic perception with defamiliarization, which is a foundation of artistry. The term of defamiliarization effect is taken over by Bertolt Brecht from Russian formalists. Even though Brecht does not use defamiliarization effect to cause artistry but to encourage socially critical thinking of an individual. With defamilarization effect, Brecht can show social relationships on stage and with that enables that the spectator keeps his distance to social relationships and events, as well as criticism, which is needed for social changes. ruski formalizem epsko gledališče potujitveni učinek diplomsko delo true false false [E. Semič] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2018-10-08 13:45:41 2018-10-08 13:45:43 2022-08-17 03:44:12 0000-00-00 00:00:00 2015 0 Ljubljana 2015 Ljubljana 25 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 82.0:792.01Brecht B. 58349666 RAZ_Semic_Eva_i2015.pdf RAZ_Semic_Eva_i2015.pdf 1 B61910D135D067E065A55B7113E2395F 7bb416c661672786176b14d1140f5e6144edfdd60c5cbb2a6dfa5dd272635478 ff7ad711-a1b5-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=115033 Filozofska fakulteta 0 0 0