20.500.12556/RUL-103402 Slikovni objekt Pictorial object Modernistične invencije povzročijo preobrat v slikovni paradigmi, ko umetniki v začetku dvajsetega stoletja sliko na novo odkrijejo kot objekt, katerega slikovno polje ni več renesančno okno v svet, temveč prostor za iskanje novih oblik, pomenov in samozadostne likovne pojavnosti, ki je neodvisna od realnosti. Skulpturi se slika približa s preseganjem vklenjenosti v slikovno ploskev in opustitvijo reprezentacije, značilne za renesančni iluzionizem. Tradicionalne konvencije se presežejo z uporabo novih materialov, snovi in tehnik v slikarstvu, ki transformirajo slikovno ploskev. Površina in onkraj nje postaneta prostor eksperimentiranja in iskanja novih oblik ter vzpostavljanja novih pomenov. Slika na novo opredeli svoj odnos do otipljive resničnosti in ima namesto prikazovalne vse bolj materialno funkcijo. Snov postane poleg telesa tudi sama cilj umetniške prakse z neformalnimi pristopi znotraj slikarstva, ki površino preoblikujejo, presežejo. Modernistic inventions cause a dramatic turn in the paradigm of painting, when at the beginning of the 20th century artists rediscover painting as object, whose pictorial field is no longer a Renaissance window to the world but a space for seeking new forms, meanings, and self-sufficient visual incidence, independent of reality. Painting verges into sculpture by surpassing its confinement to the picture surface and abandoning the representation typical of Renaissance illusionism. Traditional conventions are exceeded with the use of new materials and techniques in painting, which transform the picture surface. The surface and beyond become a place to experiment and search new forms as well as generate new implications. Painting redefines its relationship towards tangible reality and acquires the function which is more material and less representational. In addition to the body of the painting, its material as well becomes the purpose of artistic creation with informal approaches within the art of painting, which transform and transcend the surface. slikarstvo slika kot objekt površina modernizem kolaž materiali snovi v slikarstvu slikovno polje slikovna ploskev diplomska naloga painting painting as an object surface modernism collage materials in painting pictorial field picture / image surface BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2018-09-16 08:01:29 2018-09-16 08:01:30 2022-08-16 03:41:53 0000-00-00 00:00:00 2018 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 13019 473.pdf 473.pdf 1 DE655CABAAEA9B78EEF1F4744E33E90C 6d0ab5cf83576ab16aac111fe4c5238eb8a54f26a39b156d291d8ec6432db28d ccae83fd-a1b5-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=113834 Akademija za likovno umetnost in oblikovanje 0 0 0