20.500.12556/RUL-103395 Izreži in prilepi kot umetniška praksa Cut-and-paste as an artistic practice V svoji diplomski nalogi nameravam raziskovati pomen medija slike, saj je to prvi sloj ustvarjanja umetnine, ki mi je nadvse pomemben. Znaki se ne morejo kazati, ne da bi bili kanalizirani v določenem mediju, denimo govoru, risbi, pisavi ipd. Človekov način gledanja na svet se nenehno spreminja, tako kot se spreminja svet sam. V tej dinamiki, ki ni vedno jasno razberljiva, je eden največjih poganjalcev produkcije novega in agitatorjev starega - tehnološki napredek.Ta namvseskozi ponuja nova orodja in metode ustvarjanja, s tem pa nove načine gledanja na svet. Tako se zdi, da je dandanes na slikarstvo neodgovorno gledati skozi parametre, recimo, renesančnega slikarstva, s katerim je slikarstvo zacvetelo. Tehnični aparatusi, s katerimi absorbiramo realnost in jo shranjujemo, so bili takrat popolnoma drugačni, tako kotje bila drugačnanaloga oziroma bistvo slikarstva samega. Slikamora poskušati vzpostavitikomunikacijomedgledalcemin njo samo.Tudi, če gledalcu njeno sporočilo ni popolnoma jasno, jo lahko, namesto razumsko, procesira na zgolj senzorični ali pa emocionalni ravni. Komunikacija in grajenje smisla sta v umetnosti ključna. Kako naj torej delo nagovarja publiko, da bo avtorjevo sporočilo dovolj jasno? Avtorsko umetniško delo namreč nikoli ne more biti zgolj vizualno, četudi nam ponuja estetsko zadovoljstvo. Vplivajo izbrani mediji umetnine zgolj na njihov vizualni aspekt? In my graduation thesis, I intend to question the meaning of the medium of the painting, because this is something that often haunts me during my creative process. Signs can not be seen without first being channeled in a particular medium, such as speech, drawing, writing, etc. The human perception of the world is constantly changing, just as the world itself is. In this dialectical dynamic, which is not always clearly intelligible, one of the largest producers of the new and agitators of the old is technological advancement. It constantly offers us new tools and methods of watching and reproducing the world. So it seems that nowadays it is inappropriate to look at paintings through parameters as they were, for example, during the Renaissance, when painting blossomed. The technical apparatus, with which we absorb and store reality, was completely different at that time, just like the tasks and even the essence of the painting itself were. Painting must always strive towards communicating with the viewer. Even if its message is not completely clear tothe viewer, he/she can still process it a sensory or emotional manner. Communication and the building of meaning are crucial in art. In what manner should a painting »speak«, so that the author's message is clear enough? The author's work of art can never be purely visual, even if it offers aesthetic pleasure. Do the chosen media of the artwork affect only their visual aspect? slikarstvo medij kolaž tehnika digitalna grafika reprezentacija diplomska naloga painting medium collage technique digital graphics representation BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2018-09-16 08:01:01 2018-09-16 08:01:02 2022-08-16 03:41:49 0000-00-00 00:00:00 2018 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 13012 621.pdf 621.pdf 1 2452DC3204B167AF36E7D66FD54A62CB ee0642ee533a8cce4b8970d671e51c226714d88ee95a9eff37feca93a9a0984e cb8fa3c7-a1b5-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=113817 Akademija za likovno umetnost in oblikovanje 0 0 0