20.500.12556/RUL-101766 Podobe - vizualni nomadi Images - visual nomads Naše vizualno okolje je kompleksen preplet znakov, slik, besedila in simbolov, ki jim je težko določiti sidrišče. Reference se neprestano križajo, pojavnosti pa potujejo z enega konca sveta na drugega. Sliko pojmujem kot proto-ekran, na katerega se projicira mešanje ter plastenje vizualnega gradiva kot posledica vsakodnevnega soočanja s ploho podob. V diplomskem delu analiziram, kako v moji slikarski praksi prihaja do srečanja disparatnih elementov. Slike in risbe na eni strani nastajajo kot reciklaža, ki v umetnosti združuje različne pristope. Stranski produkti slikanja, fragmenti besedil, zapiski, skice in zavržene ideje ponovno zavzamejo svoje mesto v sliki. Na drugi strani v svoja dela vključujem fotografije iz revij in reprodukcije del drugih avtorjev ter se navezujem na apropriacijo. Ta odpira vprašanja avtorstva ter originala, ponuja pa tudi razmislek o sodobnih komunikacijskih poteh ter reproduktibilnosti podob. Rezultat kolažiranja in manipuliranja z vizualnim gradivom je slika v sliki. Podobe niso izolirane, temveč so nestalne entitete, ki se ves čas preseljujejo – so vizualni nomadi. Our visual environment is a complex net of signs, pictures, texts and symbols whose origins are hard to track. The references are constantly intersecting one another and appearances are travelling across the world. I regard picture as a proto-screen where the layering of visual material is being projected as the confrontation with the flood of images. In the thesis, I analyse how disparate elements converge in my painting practice. On the one hand, I make use of the recycling which can, within the notion of art, include a variety of different approaches. The side products of painting, text fragments, abandoned sketches and notes return into the picture. On the other hand I use magazine photographs and reproductions of different artworks which is related to appropriation. The latter raises questions about authorship and originality and stimulates the examination of modern communication and reproducibility of images. Combining and manipulating the visual material results in a picture within a picture. Images are not isolated, but changeable entities that are constantly migrating – they are visual nomads. slikarstvo podoba v podobi šiv v filmu vmesnik zrcalo apropriacija postmodernizem reciklaža kolaž diplomska naloga painting image within an image suture in the film interface mirror appropriation postmodernism recycling collage BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2018-07-04 08:35:23 2018-07-04 08:35:26 2022-08-15 03:38:20 0000-00-00 00:00:00 2018 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 12041 316.pdf 316.pdf 1 F730FE27301F405B4168A4354E824A5C 13f4d5c913a2b04976bcbb8069608ff8c4b49c825643fd397fe1d6f6e93a1a83 631b5aef-a1b5-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=111934 317.pdf 317.pdf 1 188E4F6F41AE0C3E78CB655B6E6616B1 bb9a20407de925798ce69b9a3b9c6084b8f1e5f0bd10641341766219b319eddd 632c2d2f-a1b5-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=111935 Akademija za likovno umetnost in oblikovanje 0 0 0