20.500.12556/RUL-101748 Konserviranje in restavriranje slike Prestol milosti iz župnijske cerkve sv. Jurija in Evfemije v Rovinju Conservation and restoration of the painting The thorn of grace from the parish church of Saint George and Euphemia in Rovinj Magistrsko delo obravnava konserviranje-restavriranje slike Prestol milosti. Naloga je zasnovana na opisu stanja slike in izbiri primernih materialov za izvedbo konserviranja in restavriranja te slike. Slika Prestol milosti je naslikana v tehniki olje na platnu in je delo neznanega slikarja. Slika bo hranjena v Župnijski cerkvi sv. Jurija in Evfemije v Rovinju v okolju z večjimi spremembami relativne zračne vlage, na kar smo bili pozorni pri izbiri materialov za poseg. Pred konservatorsko-restavratorskim posegom je bila slika v slabem stanju – nanos laka je precej potemnel, platno je bilo ohlapno, manjkal je del slikovne plasti in bilo je veliko preslikav. Preden smo začeli dejanski poseg v umetnino, smo naredili natančen načrt zaporedja postopkov. S testom odstranjevanja laka in preslikav smo določili primeren material za izvajanje postopka. Zaradi nestabilnosti slikovne plasti je bilo treba utrditi in podlepiti sliko. Manjkajoče dele smo zakitali in retuširali. Za posamezno fazo dela smo podali utemeljitve, jo dopolnili z naborom materialov in dilemami pri izbiri uporabe materialov ter postopke pisno in fotografsko dokumentirali. The Master’s Thesis is based on the conservation-restoration process of the painting The Thron of Grace. The thesis’ subject matter is the description of the painting’s condition and the selection of suitable materials for the conservation and restoration. The painting was painted in oil on canvas technique by an unknown painter. After restoration, the painting will be returned to the Parish church of Saint George and Euphemia in Rovinj. The church is exposed to large changes in relative humidity. This fact was taken into consideration when choosing suitable materials for the intervention. Before the conservation-restoration, the painting was in a very bad condition - the varnish was darkened, the canvas was loosened, there were parts of paint missing. Also, it was heavily overpainted. Before the actual intervention started, we made very precise plan of the procedures. Tests for solubility of the varnish and overpaints were made to determine appropriate materials for the process. Because of the instability of the paint and ground layers, it was necessary to consolidate and to line the painting. The lacunas were filled and retouched. I explained each conservation-restoration process, added a list of materials, cited the dilemmas in choice of materials, and documented all the procedures using photography and written word. konservatorstvo-restavratorstvo Prestol milosti olje na platnu poškodbe optična mikroskopija FTIR ramanska mikrospektroskopija odstranjevanje laka Beva 371 podlepljenje retuširanje magistrska naloga conservation-restoration The thron of Grace oil on canvas damages optical microscopy FTIR raman microspectroscopy varnish removal Beva 371 lining retouching MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2018-07-03 08:35:28 2018-07-03 08:35:33 2022-08-15 03:38:12 0000-00-00 00:00:00 2018 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 12024 340.pdf 340.pdf 1 1F0E68E57571BBFEC195DFBC38A17CAD a5db2688f0a28b0945ccfc5808f74114d492b0c1672fe1803489674c4d62abaf 6154d593-a1b5-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=111908 341.pdf 341.pdf 1 B50F8593933BE4CE7776BA6248D124C7 a9fcc60397492c3574338e48c9f4677c05d6ec4175dee15da236d5790d15a326 61658657-a1b5-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=111909 Akademija za likovno umetnost in oblikovanje 0 0 0