20.500.12556/RUL-101748
Konserviranje in restavriranje slike Prestol milosti iz župnijske cerkve sv. Jurija in Evfemije v Rovinju
Conservation and restoration of the painting The thorn of grace from the parish church of Saint George and Euphemia in Rovinj
Magistrsko delo obravnava konserviranje-restavriranje slike Prestol milosti. Naloga je zasnovana na opisu stanja slike in izbiri primernih materialov za izvedbo konserviranja in restavriranja te slike. Slika Prestol milosti je naslikana v tehniki olje na platnu in je delo neznanega slikarja. Slika bo hranjena v Župnijski cerkvi sv. Jurija in Evfemije v Rovinju v okolju z večjimi spremembami relativne zračne vlage, na kar smo bili pozorni pri izbiri materialov za poseg. Pred konservatorsko-restavratorskim posegom je bila slika v slabem stanju – nanos laka je precej potemnel, platno je bilo ohlapno, manjkal je del slikovne plasti in bilo je veliko preslikav.
Preden smo začeli dejanski poseg v umetnino, smo naredili natančen načrt zaporedja postopkov. S testom odstranjevanja laka in preslikav smo določili primeren material za izvajanje postopka. Zaradi nestabilnosti slikovne plasti je bilo treba utrditi in podlepiti sliko. Manjkajoče dele smo zakitali in retuširali. Za posamezno fazo dela smo podali utemeljitve, jo dopolnili z naborom materialov in dilemami pri izbiri uporabe materialov ter postopke pisno in fotografsko dokumentirali.
The Master’s Thesis is based on the conservation-restoration process of the painting The Thron of Grace. The thesis’ subject matter is the description of the painting’s condition and the selection of suitable materials for the conservation and restoration.
The painting was painted in oil on canvas technique by an unknown painter. After restoration, the painting will be returned to the Parish church of Saint George and Euphemia in Rovinj. The church is exposed to large changes in relative humidity. This fact was taken into consideration when choosing suitable materials for the intervention. Before the conservation-restoration, the painting was in a very bad condition - the varnish was darkened, the canvas was loosened, there were parts of paint missing. Also, it was heavily overpainted.
Before the actual intervention started, we made very precise plan of the procedures. Tests for solubility of the varnish and overpaints were made to determine appropriate materials for the process. Because of the instability of the paint and ground layers, it was necessary to consolidate and to line the painting. The lacunas were filled and retouched. I explained each conservation-restoration process, added a list of materials, cited the dilemmas in choice of materials, and documented all the procedures using photography and written word.
konservatorstvo-restavratorstvo
Prestol milosti
olje na platnu
poškodbe
optična mikroskopija
FTIR
ramanska mikrospektroskopija
odstranjevanje laka
Beva 371
podlepljenje
retuširanje
magistrska naloga
conservation-restoration
The thron of Grace
oil on canvas
damages
optical microscopy
FTIR
raman microspectroscopy
varnish removal
Beva 371
lining
retouching
MA thesis
true
false
false
Slovenski jezik
Angleški jezik
Magistrsko delo/naloga
2018-07-03 08:35:28
2018-07-03 08:35:33
2022-08-15 03:38:12
0000-00-00 00:00:00
2018
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1970-01-01
12024
340.pdf
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https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=111908
341.pdf
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https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=111909
Akademija za likovno umetnost in oblikovanje
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