20.500.12556/RUL-101587 Meje reprezentacije / Poskusi v pripovedništvu Margins of representation / Attempts in storytelling Izhodišče magistrske naloge je "branje" in natančna analiza izbranih besedil, ki segajo na različna področja: od estetike, psihoanalize in semiologije do politike, v katerih je mogoče spremljati vprašanja in probleme reprezentacije. Cilj naloge je v primerjavi z izhodiščem veliko skromnejši: orisati minimalne poteze reprezentacijskega dispozitiva, z drugimi besedami razmerja med reprezentantom in reprezentiranim. Pri tem se bomo skušali izogibati privzemanju zgolj enega od tradicionalnih pristopov soočanja s problemom reprezentacije ter si prizadevali "nomadsko" prehajati med besedili in njim imanentno epistemologijo. Z interpretacijo izbranih mest iz Freudove Množične psihologije in analize jaza in Rousseaujevega Eseja o izvoru jezikov bomo poskušali oblikovati koncept izvora, ki bo podlaga za nadaljnje delo. S kritičnim branjem Artaudovih esejev o gledališču in Nietzschejevega zgodnjega besedila O resnici in laži v zunajmoralnem smislu bomo pokazali na probleme in vprašanja, ki jih reprezentacija sproža v razmerju med mislijo in jezikom, na presečišču Rousseaujevih del o politiki in Nietzschejevega dela Rojstvo tragedije iz duha glasbe pa bomo na podlagi novega razumevanja problema reprezentacije izpostavili stične točke med gledališčem in državo. Nalogo bomo sklenili s poudarkom pomembnosti problema reprezentacije za prehod od modernizma h konceptualni umetnosti. The master thesis launches with thorough “reading” and subsequent analysis of selected texts, ranging from aesthetics, psychoanalysis, semiology and politics, in which questions and problems of representation can be traced and monitored. The purpose of the paper is, compared to its starting point, much more modest. It sets out to outline the minimal features of the disposition of the representation, or in other words, features of the relationship between representative and represented. In doing so, we will try to avoid adopting merely one of the traditional approaches when confronted with the problem of representation, and will strive to pass between texts and their immanent epistemology in a "nomadic" manner. By interpreting the selected writings from Freud’s Mass Psychology and Analysis of the Ego and Rousseau’s Essay on the Origins of Languages, we will attempt to formulate a concept of origin, that will provide the basis for our further work. By examining Artaud's essays on the theater and Nietzsche's early text On Truth and Lies in a Nonmoral Sense we will shed light on issues and questions raised by the representation, in its relationship to thought and language; and at the intersection of Rousseau’s works on politics and Nietzsche’s work The Birth of Tragedy from the Spirit of Music, we will, after acknowledging a new understanding of the problem of representation, point out the junctures between the theater and the state. The thesis will be concluded with emphasis on the importance of the problem of representation that the latter presents in the transition from modernism to conceptual art. kiparstvo izvor reprezentacija jezik gledališče ime modernizem konceptualna umetnost politika artikulacija sculpture origin representation language theatre name modernism conceptual art politics articulation true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2018-06-19 08:35:07 2018-06-19 08:35:14 2022-08-14 03:45:14 0000-00-00 00:00:00 2018 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 12016 331.pdf 331.pdf 1 9D506FA99AF3AE939ED99E8443AC7DBE 16f9903c78c34dcb7374e8803e6017a60bc04a69e4a6f08dba8cc97b12e05723 52365638-a1b5-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=111685 Akademija za likovno umetnost in oblikovanje 0 0 0