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<metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"><dc:title>Symbol and protest</dc:title><dc:creator>Correa Anguita,	Florencia	(Avtor)
	</dc:creator><dc:creator>Maire,	Gonzalo	(Avtor)
	</dc:creator><dc:subject>embodied resistance</dc:subject><dc:subject>political subjectivity</dc:subject><dc:subject>Chile</dc:subject><dc:subject>South Korea</dc:subject><dc:subject>authoritarianism</dc:subject><dc:subject>aesthetic protest</dc:subject><dc:subject>collective memory</dc:subject><dc:description>This article is being submitted for consideration in the special section titled Latin Amer­ican Perspectives on Asian Humanities. This research explores the significance of the body as a tool of protest within the resistance movements that emerged under the dicta­torships of Chile and South Korea during the 1980s. It focuses on the role and presence of the body in public demonstrations, highlighting its use as a shared and central element of protest across both contexts. The body is examined as a site of sacrifice, symbolizing collective struggle toward a common political goal. To analyse this phenomenon, the study employs a theoretical framework that integrates the concepts of the aesthetic-polit­ical body, power relations as understood through the philosophy of power, and counter­cultural resistance. Methodologically, the research follows a qualitative and biographical approach, prioritizing the testimonies of social actors from both Chile and South Korea, gathered primarily through interviews.</dc:description><dc:date>2026</dc:date><dc:date>2026-10-29 15:33:48</dc:date><dc:type>Članek v reviji</dc:type><dc:identifier>190561</dc:identifier><dc:identifier>ISSN pri članku: 2232-5131</dc:identifier><dc:identifier>DOI: 10.4312/as.2026.14.2.265-292</dc:identifier><dc:language>sl</dc:language></metadata>
