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<metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"><dc:title>Melancholia as method</dc:title><dc:creator>Vrtačič,	Eva	(Avtor)
	</dc:creator><dc:subject>Dylan Dog</dc:subject><dc:subject>melancholic epistemology</dc:subject><dc:subject>melancholic methodology</dc:subject><dc:subject>horror</dc:subject><dc:subject>mourning</dc:subject><dc:subject>comics</dc:subject><dc:subject>dark humor</dc:subject><dc:description>An interpretation of Tiziano Sclavi’s comic series Dylan Dog as a sustained melancholic inquiry is provided in the article. Dylan’s melancholic epistemology, a way of knowing grounded in repetition, ambivalence and loss grants him almost metaphysical lucidity. Such an internal condition becomes a melancholic methodology, a hermeneutics of loss that actively resists closure and deduction. The comic’s horror functions as a language of mourning, with monsters embodying the unresolved collective losses and structural failures of late modernity. Dylan’s ethical persistence constitutes a radical practice of political existence in the face of a systemic impasse.</dc:description><dc:date>2026</dc:date><dc:date>2026-06-15 17:13:45</dc:date><dc:type>Članek v reviji</dc:type><dc:identifier>183586</dc:identifier><dc:identifier>UDK: 741.52:82-7</dc:identifier><dc:identifier>ISSN pri članku: 2820-591X</dc:identifier><dc:identifier>DOI: 10.51936/tip.63.1.169</dc:identifier><dc:identifier>COBISS_ID: 277624835</dc:identifier><dc:language>sl</dc:language></metadata>
