<?xml version="1.0"?>
<metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"><dc:title>Metamorfosi legittime o fedelissime?</dc:title><dc:creator>Porta,	Juan Mariano	(Avtor)
	</dc:creator><dc:subject>Giuseppe  Tartini</dc:subject><dc:subject>Vincenzo  Rota</dc:subject><dc:subject>Peter  Welcker</dc:subject><dc:subject>arrangements</dc:subject><dc:subject>comparative  analysis</dc:subject><dc:description>The article examines the Six Concertos in Four Parts (c. 1766), derived from works by Giuseppe Tartini, arranged by Vincenzo Rota for performance by a reduced ensemble and published by Peter Welcker. Through a comparison with the manuscript sources, the analysis aims to identify and evaluate structural and stylistic variants.

</dc:description><dc:date>2025</dc:date><dc:date>2026-02-24 09:50:54</dc:date><dc:type>Članek v reviji</dc:type><dc:identifier>179770</dc:identifier><dc:identifier>ISSN: 0580-373X</dc:identifier><dc:identifier>eISSN: 2350-4242</dc:identifier><dc:identifier>DOI: 10.4312/mz.61.2.43-62</dc:identifier><dc:language>sl</dc:language></metadata>
