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<metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"><dc:title>The YouTubable climb</dc:title><dc:creator>Bajič,	Blaž	(Avtor)
	</dc:creator><dc:subject>kulturna antropologija</dc:subject><dc:subject>digitalni mediji</dc:subject><dc:subject>družbena omrežja</dc:subject><dc:subject>Youtube</dc:subject><dc:subject>digitalna estetizacija</dc:subject><dc:subject>narava</dc:subject><dc:subject>adrenalinski športi</dc:subject><dc:subject>plezanje</dc:subject><dc:subject>cultural anthropology</dc:subject><dc:subject>digital media</dc:subject><dc:subject>social media</dc:subject><dc:subject>YouTube</dc:subject><dc:subject>digital aestheticization</dc:subject><dc:subject>nature</dc:subject><dc:subject>outdoor adventure sports</dc:subject><dc:subject>climbing</dc:subject><dc:description>The article examines how social media, particularly YouTube, frame the representation of identity, place, and performance. Social media, with their reliance on algorithmic infrastructures, transform these representations into (hy-per)versions of the self, non-places, and performances of performances. The very fact of being produced, circulated and consumed via social media places them in the broader context of late capitalism.</dc:description><dc:date>2025</dc:date><dc:date>2026-02-12 15:19:29</dc:date><dc:type>Neznano</dc:type><dc:identifier>179401</dc:identifier><dc:identifier>UDK: 316.774:796.526</dc:identifier><dc:identifier>ISSN pri članku: 2820-6088</dc:identifier><dc:identifier>DOI: 10.4312/svetovi.3.1.37-56</dc:identifier><dc:identifier>COBISS_ID: 228843779</dc:identifier><dc:language>sl</dc:language></metadata>
