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<metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"><dc:title>The Role of Mobility in Art Production: Serbian Artists in France</dc:title><dc:creator>Ajkunić,	Selena	(Avtor)
	</dc:creator><dc:creator>Repič,	Jaka	(Mentor)
	</dc:creator><dc:creator>Gibert,	Marie-Pierre	(Komentor)
	</dc:creator><dc:subject>mobility</dc:subject><dc:subject>migration</dc:subject><dc:subject>art</dc:subject><dc:subject>art market</dc:subject><dc:subject>Art Worlds</dc:subject><dc:subject>Paris</dc:subject><dc:subject>France</dc:subject><dc:subject>home</dc:subject><dc:subject>Serbia</dc:subject><dc:description>In the thesis I observe the mobility of Serbian artists, who moved to France, specifically
Paris, or lived there part of their lives. The thesis addresses the artists who migrated to France
in the past thirty, thirty-five years, either in the times of Yugoslavia or Serbia. It will present
the role of migration and mobility in their lives, how it shapes and influences their lives,
their worldview, and their art production. The thesis is based on the research of people born
in Yugoslavia and Serbia, as well as those of Serbian origin, who were born abroad but raised
in Serbia. The thesis is divided into sections that are all based on life stories of the artists
interviewed. It starts at the very beginnings of their artistic paths, moving onto their
perception of migration and mobility as practices offering possibility of career advancement
in art, and to their life situations in which they fulfill their artistic aspirations. Thanks to their
accounts, it is possible to perceive how movement can change someone’s way of
understanding life and art.</dc:description><dc:date>2023</dc:date><dc:date>2023-10-05 07:15:49</dc:date><dc:type>Magistrsko delo/naloga</dc:type><dc:identifier>151331</dc:identifier><dc:identifier>VisID: 534384</dc:identifier><dc:language>sl</dc:language></metadata>
