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<metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"><dc:title>The Divine Ryans: Catholics, Humour, and Sexuality</dc:title><dc:creator>Kovačič,	Jasmina	(Avtor)
	</dc:creator><dc:creator>Krevel,	Mojca	(Mentor)
	</dc:creator><dc:subject>The Divine Ryans</dc:subject><dc:subject>Catholics</dc:subject><dc:subject>humour</dc:subject><dc:subject>sexuality</dc:subject><dc:subject>homosexuality</dc:subject><dc:subject>cinematic portrayal</dc:subject><dc:subject>complex relationship</dc:subject><dc:description>This thesis analyses the cinematic portrayal of Catholics, humour, and sexuality in the 1999 film The Divine Ryans, adapted from Wayne Johnston’s novel of the same title. These topics had been heavily censored and avoided in film projects throughout the better half of the twentieth century; however, by the turn of the century, the film industry had already enjoyed the liberty to portray them with little to no legal constraints. The thesis examines how these topics have been portrayed in films in the past and how The Divine Ryans both challenges and upholds the complex portrayal of Catholics, their problematic relationship with sexuality, more specifically homosexuality, and avoidant attitude towards humour. It also offers a new perspective on the filmmakers’ choice to largely eliminate the novel’s humour and focus on Catholics and sexuality instead.</dc:description><dc:date>2021</dc:date><dc:date>2022-02-23 11:47:06</dc:date><dc:type>Magistrsko delo/naloga</dc:type><dc:identifier>135130</dc:identifier><dc:identifier>ISBN: 98719235</dc:identifier><dc:identifier>VisID: 497172</dc:identifier><dc:identifier>COBISS_ID: 98719235</dc:identifier><dc:language>sl</dc:language></metadata>
