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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://repozitorij.uni-lj.si/IzpisGradiva.php?id=85327"><dc:title>The irreducible chaos of the postmodern spectacularised JFK event</dc:title><dc:creator>Škerjanec,	Blaž	(Avtor)
	</dc:creator><dc:description>The following contribution attempts to problematise the JFK event by mapping modes of becoming as forms of departure from conventional socio-political structures, thereby introducing an anti-genealogical theoretical approach. The text constructs a concept of the event that parts from fidelity to a retrospectively created Badiouian Event on one hand, and on the other places an excessive libidinal Deleuzo-Guattarian and Lyotardian event in its lieu. A special emphasis is given to presenting the intersections between molar lines and the explosion of molecular moments within (and outside of) the so-called JFK event in order to indicate that a single interpretation of an event cannot become truly hegemonic. In this respect, the article focuses on presenting a critical analysis of Debord's theory of the Society of the Spectacle by providing the above-mentioned molecular instances; specifically, the article sketches out a vague transition from the subversive actions of the pop art and Beatnik movements to the JFK event in order to demystify Debord's Spectacle and Badiou's Event.</dc:description><dc:date>2013</dc:date><dc:date>2016-09-15 03:35:39</dc:date><dc:type>Delo ni kategorizirano</dc:type><dc:identifier>85327</dc:identifier><dc:language>sl</dc:language></rdf:Description></rdf:RDF>
