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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://repozitorij.uni-lj.si/IzpisGradiva.php?id=179770"><dc:title>Metamorfosi legittime o fedelissime?</dc:title><dc:creator>Porta,	Juan Mariano	(Avtor)
	</dc:creator><dc:subject>Giuseppe  Tartini</dc:subject><dc:subject>Vincenzo  Rota</dc:subject><dc:subject>Peter  Welcker</dc:subject><dc:subject>arrangements</dc:subject><dc:subject>comparative  analysis</dc:subject><dc:description>The article examines the Six Concertos in Four Parts (c. 1766), derived from works by Giuseppe Tartini, arranged by Vincenzo Rota for performance by a reduced ensemble and published by Peter Welcker. Through a comparison with the manuscript sources, the analysis aims to identify and evaluate structural and stylistic variants.

</dc:description><dc:date>2025</dc:date><dc:date>2026-02-24 09:50:54</dc:date><dc:type>Članek v reviji</dc:type><dc:identifier>179770</dc:identifier><dc:language>sl</dc:language></rdf:Description></rdf:RDF>