<?xml version="1.0"?>
<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://repozitorij.uni-lj.si/IzpisGradiva.php?id=169977"><dc:title>Illustrating the invisible</dc:title><dc:creator>Černe Oven,	Petra	(Urednik)
	</dc:creator><dc:creator>Gorišek,	Žiga	(Fotograf)
	</dc:creator><dc:creator>Neubauer,	Nik Erik	(Fotograf)
	</dc:creator><dc:subject>visual literacy</dc:subject><dc:subject>design</dc:subject><dc:subject>inclusive design</dc:subject><dc:subject>scientific illustration</dc:subject><dc:subject>partially sighted</dc:subject><dc:subject>blind</dc:subject><dc:subject>inclusive society</dc:subject><dc:description>The monograph "Illustrating the Invisible: Design for an Inclusive Society" marks
a new and extremely important step in the integration of scientific and artistic
research within the framework of the Visual Literacy research programme, which
is run and implemented at the Academy of Fine Arts and Design, University of
Ljubljana. It focuses on design in an interdisciplinary consortium as a field that
not only connects, but also sees and hears all stakeholders in the process with
subtlety and a high degree of empathy. In other words, this study and research
project reaffrms the thought of designer Victor Papanek, who argued that if we
want to codesign an inclusive society, we must first of all see all those who are
most often overlooked and then intentionally design for them. In fact, by designing
for them, we are actually designing for everyone.
The detailed research results presented in this publication show a remarkable
level of insight, commitment, and an incredible desire to explore and to create
new knowledge and potentially shape a new approach in the largely overlooked
field of visualization for people with visual impairments. What's more, the project
clearly demonstrates that visualization is just as important for people with visual
impairments as it is for the rest of us sighted people. An additional contribution
of this monograph is that, besides having participated in two texts, blind and
partially sighted people have also actively participated in the development, testing
and evaluation of the resulting works. In other words, we are witnessing the most
beautiful interplay between science and art, and science and design. This interplay
is a prerequisite for understanding the world, anticipating different needs and . This interplay is a prerequisite for understanding the world, anticipating different needs and being able to work together with a purpose and desire to solve problems.</dc:description><dc:publisher>University of Ljubljana Press</dc:publisher><dc:date>2025</dc:date><dc:date>2025-06-30 10:52:48</dc:date><dc:type>Zbornik</dc:type><dc:identifier>169977</dc:identifier><dc:language>sl</dc:language></rdf:Description></rdf:RDF>
