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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://repozitorij.uni-lj.si/IzpisGradiva.php?id=154308"><dc:title>Quantifying sound colour of musical instruments – precise harmonic timbre coordinates of like instruments</dc:title><dc:creator>Prislan,	Rok	(Avtor)
	</dc:creator><dc:creator>Kržič,	Urša	(Avtor)
	</dc:creator><dc:creator>Svenšek,	Daniel	(Avtor)
	</dc:creator><dc:subject>acoustics</dc:subject><dc:subject>musical instruments</dc:subject><dc:subject>timbre</dc:subject><dc:description>Timbre – sound “colour” – is an abstract, delicate property of sound, especially in a high-value context such as musical instruments. It is a perceptual construct so intangible that it cannot be considered a quantity. Since sound nevertheless reaches our ears as a complete physical reality, we hypothesize that this inherent abstraction of its timbre is primarily due to the lack of a meaningful, musically relevant, and robust quantification that would do justice to the subtlety of human auditory perception. It is therefore not surprising that not a single aspect of timbre is to be found in the specifications of musical instruments. We introduce harmonic timbre coordinates, concrete and robust numbers that quantify a partial aspect of timbre of an instrument’s sound – its harmonic structure – with a precision that allows relevance in the musical context. These numbers could, for example, help a buyer find an instrument whose sound is closer to his or her preferences. Or they could enable precise tracking of harmonic changes in sound, and more.</dc:description><dc:date>2024</dc:date><dc:date>2024-02-06 14:20:52</dc:date><dc:type>Članek v reviji</dc:type><dc:identifier>154308</dc:identifier><dc:language>sl</dc:language></rdf:Description></rdf:RDF>
