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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://repozitorij.uni-lj.si/IzpisGradiva.php?id=147135"><dc:title>Between home and the world</dc:title><dc:creator>Šabec,	Ksenija	(Avtor)
	</dc:creator><dc:subject>banal nationalism</dc:subject><dc:subject>Slovenian folk-pop music</dc:subject><dc:subject>narod</dc:subject><dc:subject>stereotipi</dc:subject><dc:subject>domovina</dc:subject><dc:description>This paper examines the concept of banal nationalism as often unconscious, routine processes that nations reproduce on a daily basis. Banal nationalism is recognisable in the use of national symbols but also in language and culture. The purpose of this paper is to determine whether Slovenian folk-pop music is one of these processes, and in which ways and strategies we can detect its reproductive role in banal nationalism that on a daily basis reminds its listeners of their national identities. Methodologically, the article is based on the content and a textual analysis of compositions by three of the most often listened to folk-pop ensembles, demonstrating that the national narrative can be identified in a smaller proportion of all analysed compositions in three sections: the idea of nation as an imaginary community or home(land), national (auto)stereotypes, and patriotic feelings</dc:description><dc:date>2023</dc:date><dc:date>2023-06-23 14:09:15</dc:date><dc:type>Članek v reviji</dc:type><dc:identifier>147135</dc:identifier><dc:language>sl</dc:language><dc:coverage>Slovenija;</dc:coverage></rdf:Description></rdf:RDF>
