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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://repozitorij.uni-lj.si/IzpisGradiva.php?id=135927"><dc:title>CONTEMPORARY AMERICAN METAFICTION AND ITS ADAPTATION ON FILM</dc:title><dc:creator>Lozanovska,	Hristina	(Avtor)
	</dc:creator><dc:creator>Krevel,	Mojca	(Mentor)
	</dc:creator><dc:subject>metafiction</dc:subject><dc:subject>adaptation</dc:subject><dc:subject>contemporary</dc:subject><dc:subject>American novel</dc:subject><dc:subject>film</dc:subject><dc:subject>metafictional elements</dc:subject><dc:description>This thesis discusses metafiction and adaptation as two distinct and relatively new phenomena.
The theoretical part of the thesis analyses metafiction as the first, and adaptation as the second
tenet of this thesis; both theoretical parts outline the essence, as well as the most important
elements of metafiction and adaptation which will then serve as the bases for the analytical part of
the thesis. The analytical part deals with four contemporary American metafictional novels (The
World According to Garp, Fight Club, The Hours, and Everything Is Illuminated) and the film
adaptations that were produced based on these novels. Each pair, a novel and its film adaptation,
are is analysed in terms of the metafictional elements that are present in them, the amount of the
metafictional elements from the source text retained in the adaptation, and how these elements are
rendered on the big screen. Based on the practical analyses of the four most prominent
metafictional novels that have been adapted for film in contemporary American literary history,
the thesis aims to establish whether and how the metafictional novel can be successfully adapted
on film.</dc:description><dc:date>2022</dc:date><dc:date>2022-04-01 16:19:27</dc:date><dc:type>Magistrsko delo/naloga</dc:type><dc:identifier>135927</dc:identifier><dc:language>sl</dc:language></rdf:Description></rdf:RDF>
