This master's thesis examines the potential of the Franklin Method in developing optimal movement patterns in accordion performance. Due to the asymmetrical structure and weight of the instrument, playing the accordion often leads to inadequate body organization, which may result in excessive muscle tension, reduced mobility, and increased strain on the musculoskeletal system. Particular attention is given to the role of the spine, neck, and shoulder girdle as key elements in achieving stability and efficiency of movement.
The thesis presents the most common non-optimal movement patterns in accordion players, such as chronically elevated shoulders, overuse of neck muscles, compensatory patterns along the spine, and breathing irregularities. These patterns are discussed in relation to their impact on performance quality and long-term physical well-being.
The central part of the thesis focuses on the Franklin Method as a somatic approach based on body awareness and the use of dynamic neurocognitive imagery. This approach enables a gradual reorganization of movement patterns by changing internal body perception, which can reduce unnecessary muscle activation and improve coordination, stability, and mobility.
Based on the literature review, we highlight the significant potential of the Franklin Method for improving body organization in accordion players. Its application may contribute to more efficient performance, a lower risk of physical strain, and the development of more economical and conscious movement in both musical practice and everyday life.
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