Sports television broadcasts require complex organization and technical execution, with multicamera
production playing a central role. A key distinction lies in the use of central versus
mobile control rooms, as well as their number. At RTV Slovenia, sports events are covered with
mobile production units (Outside Broadcasting – OB vans). The only example in Slovenia
where multiple control rooms are necessary is the broadcast of the Biathlon World Cup in
Pokljuka.
This thesis examines the planning and setup of cameras in multi-camera production and
explains the role of individual elements in preparing and executing a television broadcast.
A detailed analysis is provided through two case studies of RTV productions: the Biathlon
World Cup in Pokljuka and the Climbing World Cup in Koper. Due to its scale and complexity,
the Pokljuka broadcast requires extensive technical infrastructure, more than 40 cameras, and
three control rooms, as well as a flawless transmission of picture and sound in a demanding
mountain environment. By contrast, the compact venue in Koper presents an entirely different
set of challenges. With 12 cameras and a single control room, the main task is to capture
detailed and aesthetically pleasing shots of the climber’s movements.
In conclusion, the thesis compares both cases, highlighting key differences in organization and
execution, and reflects on the challenges and future development of multi-camera production
in sports broadcasting.
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