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Od besed do ekranov: umetnost trilerjev Javierja Castilla in Juana Gómeza-Jurada
ID Grilj, Maruša (Avtor), ID Kalenić Ramšak, Branka (Mentor) Več o mentorju... Povezava se odpre v novem oknu

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Izvleček
Magistrsko delo obravnava naraščajočo popularnost kriminalnega romana v 21. stoletju skozi dve literarni seriji španskih avtorjev, Javierja Castilla in Juana Gómeza-Jurade. Najprej je potrebno razviti teoretični okvir, na katerem bo osnovana analiza šestih romanov: La chica de nieve (Snežna deklica, 2020b), El juego del alma (Igra duše, 2021) in La grieta del silencio (Razpoka v tišini, 2024c) od Castilla ter Reina Roja (Rdeča kraljica, 2018), Loba Negra (Črna volkulja, 2019b) in Rey Blanco (Beli kralj, 2020b) od Gómeza-Jurade. Na začetku bodo predstavljene splošne značilnosti kriminalnega romana skupaj z njegovo problematično definicijo. Sledi daljša in natančnejša proučitev španskega kriminalnega romana in njegov razvoj skozi štiri najbolj slovita zgodovinska obdobja sodobne Španije: obdobje pred nastopom diktatorja Francisca Franca, med njegovo diktaturo, obdobje tranzicije ter v sodobnem času demokracije. Ker bo za delo v nadaljevanju pomembno ustvariti podlago za preučitev dveh glavnih likov, Miren Triggs in Antonie Scott, bo v sklopu teorije povzet tudi razvoj detektivskega lika s poudarkom na ženski vlogi. Temu sledi ločena predstavitev obeh zgoraj navedenih avtorjev, njegovih del, literarnih serij, o katerih bo govora, ter podrobna analiza obeh glavnih junakinj, skupaj z razčlembo njune rasti skozi tri romane. Poleg tega bo predstavljen tudi njun stil pisanja romanov ter njuna priredba na televiziji. Na koncu sledi še primerjava, ki bo potrdila hipoteze, da priljubljenost kriminalnega romana izhaja iz raznovrstnosti stilov pisanja, podrobne karakterizacije glavnih literarnih oseb ter iz zmožnosti televizijske adaptacije.

Jezik:Slovenski jezik
Ključne besede:kriminalni roman, Javier Castillo, Juan Gómez-Jurado, stil pisanja, razvoj protagonistov, televizijska priredba
Vrsta gradiva:Magistrsko delo/naloga
Organizacija:FF - Filozofska fakulteta
Leto izida:2025
PID:20.500.12556/RUL-174082 Povezava se odpre v novem oknu
COBISS.SI-ID:251688451 Povezava se odpre v novem oknu
Datum objave v RUL:27.09.2025
Število ogledov:123
Število prenosov:15
Metapodatki:XML DC-XML DC-RDF
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Sekundarni jezik

Jezik:Angleški jezik
Naslov:From Words to Screen: The Art of Thriller of Javier Castillo and Juan Gómez-Jurado
Izvleček:
The master’s thesis discusses the growing popularity of crime novels in the 21st century by examining two literary series by Spanish authors, Javier Castillo and Juan Gómez-Jurado. In order to move on to the analytical part of the thesis, it is necessary to establish a theoretical framework that serves as a base for the final analysis of the six novels: La chica de nieve (The Snow Girl, 2020b), El juego del alma (The Soul Game, 2021) and La grieta del silencio (The Fissure of Silence, 2024c) by Castillo and Reina Roja (Red Queen, 2018), Loba Negra (The Black Wolf, 2019b) and Rey Blanco (White King, 2020b) by Gómez-Jurado. The theoretical part begins by presenting general characteristics of the crime novel and its definition, showing that it faced a series of problems throughout history. This is followed by a longer and more detailed examination of the crime novel in Spanish literature and its development in the four historical periods of modern Spain: before the rise of dictator Francisco Franco, during his rule, during the Spanish transition and in the period of Spanish democracy. Since it is important for the thesis to establish a basis for the study of the two main characters, Miren Triggs and Antonia Scott, the development of the detective character is also summarized as part of the theory, with a focus on the representation of the female role. This is followed by an individual introduction of the authors mentioned, their work, the discussion of literary series and a thorough analysis of the two main heroines, combined with a detailed examination of their development in the three novels. In addition, their writing style and the adaptation of novels for the television screen is presented. Finally, a mutual comparison is made, which confirms the following hypothesis: The popularity of crime novels comes from the variety of writing styles, the detailed characterization of the main literary characters and the ability of novels to become adapted into television series.

Ključne besede:crime novel, Javier Castillo, Juan Gómez-Jurado, writing style, protagonist development, television adaptation

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