This thesis presents the complete process of recording and producing original music in a home studio, structured into two main parts – theoretical and practical. Special attention is given to the acoustic characteristics of the space, planning of the recording process and the challenges posed by limited equipment and practical adjustments.
The theoretical part first explores the fundamentals of acoustics and the key phenomena that influence sound, and then focuses on the principles of sound capture and signal processing.
The practical section is divided into two chapters. The first introduces the home studio and the hardware and software used throughout the project. The second chapter describes the recording process in detail – from planning and execution to preparing the recordings for subsequent stages of production.
The conclusion summarizes the key findings, emphasizing both the advantages and challenges of music production in a home studio environment. By combining theoretical foundations with practical experience, the thesis provides a comprehensive insight into the process of music production – from the initial idea to the final product.
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