The thesis explores artistic articulation through durational, repetitive, and process–based practices
that emerge from the body, thought, memory, absurdity, and socio–political sensitivity. Its structure
follows the internal logic of the artworks and deliberately deviates from academic conventions. The text is divided into acts and begins with a stream of consciousness in Izhod v sili (Emergency Exit), continues with absurd mechanical repetition in Ničevanje v modrem (Undoing in Blue), moves on to
the politically charged work Akrobacije prepovedane (Acrobatics Forbidden), based on my grandfather’s photographs, and concludes with the spatial installation Tišina, ki jo dolgujemo (The Silence We Owe), which directly addresses war and collective responsibility.
The written documentation reveals how body and time are expressed through spatial creation – through persistence, obsession, fragmentation, and ritual. The text is not a supplement to the works but their organic extension, opening up space for slow reading and reflection.
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