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Učinki prividov: Arhitekturno-konservatorski pristopi k ruševinam
ID Lenárdič, Zala Zia (Avtor), ID Žnidaršič, Rok (Mentor) Več o mentorju... Povezava se odpre v novem oknu, ID Ostan, Aleksander (Komentor)

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Izvleček
Magistrsko delo z naslovom Učinki prividov: Arhitekturno-konservatorski pristopi k ruševinam se v širšem smislu posveča raziskovanju spreminjanja človekovega odnosa do prostora skozi zgodovino z namenom jasnejšega razumevanja procesa, ki je privedel do današnjega porušenega ravnovesja med primarno in sekundarno naravo. Proces v prvi fazi spremljamo s pregledom nekaterih idej s področja metafizike, filozofije in znanosti, s katerimi je človeštvo poskušalo opredeliti svoj odnos do prostora. V drugi fazi proces človekove odtujitve od primarne narave analiziramo s pregledom spreminjanja prostora samega, pri čemer je prostor razumljen kot družbeni prostor. Rdeča nit pri tem je delo francoskega filozofa Henrija Lefebvra z naslovom Produkcija prostora. V luči sedanjih polemik glede v potrošnjo usmerjene družbe in njenih uničujočih vplivov na okolje je namen magistrskega dela pokazati na nekatera stanja v prostoru, ki bi s svojimi učinki na subjekt morda lahko pomenila izhodišče za snovanje novega načina življenja (in s tem družbenega prostora). Ta bi si prizadeval za vzpostavitev novega, pozitivnejšega odnosa človeka do primarne narave. Poimenovanje magistrskega dela s terminom »učinki prividov« se nanaša prav na takšna stanja, ki pri subjektu vzbujajo domišljijo in s katerim Lefebvre (2013, str. 224) med drugim poimenuje učinek pokrajine na subjekt, ki jo opazuje. Takšno moč nad subjektom imajo tudi arhitekturne ruševine. Kako bi tovrstni učinki arhitekturnih ruševin in primarne narave (kot enotnega ekosistema) lahko vplivali na oblikovanje tako novega arhitekturno- konservatorskega pristopa k ruševinam kot nekega novega družbenega prostora, si v magistrskem delu prizadevamo orisati na primeru ruševine nekdanjega dvorca Haasberg na Planinskem polju. Pri tem se ob predhodno pridobljenem vpogledu človekovega odnosa do prostora skozi zgodovino, v definiranju tega novega pristopa, magistrsko delo naslanja tudi na nekatere sodobne ideje spekulativnega realizma in k objektom orientirane ontologije. Branje tovrstnih del je v procesu snovanja vplivalo predvsem na razmišljanja o morebitnih novih arhitekturnih elementih, ki ne bi bili več nujno namenjeni zgolj človeku in o vlogi arhitekturno-konservatorskih pristopov k ruševinam v prihodnosti.

Jezik:Slovenski jezik
Ključne besede:produkcija (družbenega) prostora, primarna narava, sekundarna narava, ruševina dvorca Haasberg, nov arhitekturno-konservatorski pristop
Vrsta gradiva:Magistrsko delo/naloga
Organizacija:FA - Fakulteta za arhitekturo
Leto izida:2023
PID:20.500.12556/RUL-153078 Povezava se odpre v novem oknu
COBISS.SI-ID:180528131 Povezava se odpre v novem oknu
Datum objave v RUL:16.12.2023
Število ogledov:1110
Število prenosov:312
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Sekundarni jezik

Jezik:Angleški jezik
Naslov:Apparition effects: Conservation approaches to ruins from architectural perspective
Izvleček:
The master's thesis with the title Apparition effects: Conservation approaches to ruins from architectural perspective, is broadly concerned with exploring the changing human relationship to space throughout history, with a view to understanding more clearly the process that has led to today's disrupted balance between primary and secondary nature. This process is traced, in the first phase, through a review of some of the ideas in metaphysics, philosophy and science that have been used by humanity to define its relationship to space. In the second phase, the process of human alienation from primary nature is analysed through an examination of the transformation of space itself, where space is understood as social space. The work of the French philosopher Henri Lefebvre, entitled The Production of Space, is a central thread here. In the light of the current controversy about the consumer-oriented society and its destructive impact on the environment, the aim of this master thesis is to point to some existing situations in space that, through their effects on the subject, could perhaps be the starting point for the design of a new way of life (and thus social space) that would aim to establish a new, more positive relationship between human beings and the primary nature. The term »apparition effects«, used in the master's thesis, refers to precisely such situations that arise the imagination of the subject, and is used by Lefebvre (2013, p. 224) to describe the effect of a landscape on the subject who observes it. Such power over the subject is also wielded by architectural ruins. In what way such effects of architectural ruins and primary nature (as a unified ecosystem) could influence the formation of both a new architectural and conservation approach to ruins and a new social space, we aim to outline in the master's thesis with the example of the ruins of the former Haasberg manor on Planinsko Polje. In defining this new approach, the master's thesis also draws on some contemporary ideas of speculative realism and object-oriented ontology, in addition to the insights gained previously about the human relationship to space throughout history. Reading such works influenced, in particular, the reflections on possible new architectural elements that would no longer necessarily be dedicated solely to humans and on the role of architectural and conservation appraches to ruins in the future.

Ključne besede:production of (social) space, primary nature, secondary nature, the ruin of Haasberg manor, a new architectural and conservation approach

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