This thesis explores the complex relationship between truth and documentary filmmaking. In it, I attempt to explore the philosophical definition of truth and its significance within the genre. Documentary filmmaking aspires to present reality and facts authentically and credibly. However, it can- not escape the inherent subjectivity of the filmmaker, which influences the storytelling process and the conveyance of factual information. Through a short overview of the history of documentary film and the definition of the genre, I explore the relation and value the truth holds in it. This work also delves into the ethical challenges spanning from production to reception, shaping the documentary narrative. I conclude the work with an examination of how truth influences the reception of the narrative and delve into the question of whether the truth plays a role in the reception of the film.
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