Film in propaganda : oris filmske produkcije na Slovenskem do konca druge svetovne vojne : diplomska naloga

Seifert, Tanita (avtor), Mikša, Peter (mentor)

Diplomska naloga govori o razvoju filmske produkcije na Slovenskem, in sicer o samih začetkih, ko so prebivalci današnje Slovenije prvič videli gibljive slike, in o ustvarjalcih, ki so se naposled sami preizkusili v tej umetnosti in danes veljajo za začetnike slovenskega filma. Prvi metri slovenskega filma so nastali večinoma izpod rok fotoamaterjev in ljubiteljev filma. Posneti material hranijo večinoma v Arhivu Republike Slovenije in Narodnem muzeju v Ljubljani. Delo je bilo usmerjeno različno, v arhive – film, knjige, članke in časopise, ki so izhajali skupaj z omenjenimi filmi. Med njimi izstopa časopis Slovenski narod, ki kaže, da je bil filmu tudi najbolj naklonjen, vsi ti časopisi so dostopni v Digitalni knjižnici Slovenije. Diplomska naloga je razdeljena na tri dele. Prvo poglavje govori o začetkih kinematografije na Slovenskem in o njihovih akterjih, ki so bili najbolj zaslužni za njen razvoj. Opisuje domačo filmsko proizvodnjo do začetka druge svetovne vojne, od prvih metrov domačega filma, ki jih je posnel Karol Grossmann, do premier prvih dveh slovenskih celovečernih filmov in ustanovitve edine med vojno delujoče produkcije Emona film. Drugi del se posveti propagandi, njeni teoriji in njeni vlogi v vojni oziroma v družbi. Na kratko se posveti tudi okupatorjevi propagandi. Osredotoča se predvsem na delovanje Emona filma in na njen izdelek Partizanski dokumenti, ki so danes pomemben vir za vpogled v medvojno produkcijo dokumentarnega filma oziroma propagande na Slovenskem. Poleg omenjenega podjetja opiše tudi delovanje filmske sekcije NOB, ki je bila poleg Emona filma tudi edina, ki je snemala v času vojne. V zadnjem delu naloga na kratko opiše nadaljevanje filmske produkcije iz časa NOB, se naveže na povojno filmsko produkcijo, išče v njej sledi vojne in vpliv le-te na življenje po njej.

• Jezik: Slovenski jezik
• Ključne besede: filmska produkcija, Emona film, narodnoosvobodilni boj, Partizanski dokumenti, propaganda, dokumentarni film
• Vrsta gradiva: Diplomsko delo/naloga
• Tipologija: 2.11 - Diplomsko delo
• Organizacija: FF - Filozofska fakulteta
• Kraj izida: Ljubljana
• Založnik: T. Seifert
• Leto izida: 2023
• Št. strani: 69 str.
• PID: 20.500.12556/RUL-144993
• UDK: 778.5(497.4)"19"
• COBISS.SI-ID: 179913219
• Datum objave v RUL: 29.03.2023

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Film and propaganda: an outline of film production in Slovenia until the end of the Second World War

Izvleček

The thesis deals with the development of film production in Slovenia, namely about the very beginnings, when the inhabitants of modern-day Slovenia saw motion pictures for the first time, and about the creators who eventually tested themselves in this art and are today considered the pioneers of Slovenian cinema. The first meters of Slovenian film were mostly created by amateurs and film lovers. The recorded material is kept mostly in the Archives of the Republic of Slovenia and the National Museum in Ljubljana. Work took different directions, to the archives - film, books, articles and newspapers, which were published together with the mentioned films. Among them, the newspaper Slovenski narod stands out in that it was the most favorable to the film. All of these newspapers are available in the Digital Library of Slovenia. The thesis is divided into three parts. The first chapter talks about the beginnings of cinematography in Slovenia and the people who were most responsible for its development. It describes domestic film production until the beginning of the Second World War, from the first meters of domestic film shot by Karol Grossmann, to the premieres of the first two Slovenian feature films and the establishment of the only production company operating during the war, Emona film. The second part is devoted to propaganda, its theory and its role in war, or rather, society. It also briefly addresses the occupier's propaganda, but mainly it focuses on the operation of Emona film and its product Partizanski dokumenti, which today are an important source for insight into the interwar production of documentary films or propaganda in Slovenia. In addition to the aforementioned company, it also deals with the operation of the NOB (national liberation struggle) film section, which, apart from Emona film, was also the only one that filmed during the war. In the final part, the thesis briefly describes the continuation of film production from the NOB period, moves on to post-war film production, looks for traces of the war and its impact on life thereafter.

• Ključne besede: film production, Emona film, national liberation struggle, Partizanski dokumenti, propaganda, documentary film