Esthetics is the main theme that builds the frame of the theoretic research of this thesis, which consists of a narrow intersection of three wider themes: philosophy, mountain climbing and art. The last is the primary base for the practical part of the thesis. For the research to be explained and understood it is necessary to determine the content of the mutual intersection group in connection to each primary theme. The first part of this thesis has the focus on the modern esthetic phenomenon of experience and reliving, especially between Dilthey’s and Simmel’s contexts and the experience and reliving among representatives of Slovene mountain climbers. The theoretical research is an important base for the ongoing development of the practical concept of the thesis. The second and practical part of the thesis concentrates on the dynamic connection between the author’s personal practical (sculptural) mountaineering and the connection between the mentioned topic and ecstatic reality. During this research, some referential art-practices and the characterization of the author’s own art cannot be ignored. The practical part is the point of coalition between the objectively historical-esthetic standpoint with the author’s own subjective metaphysical world.
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