The master's thesis is based on the definition of four zones of interpersonal distance, defined by Edvard T. Hall. The research of the intimate, personal space of an individual is highlighted in the form of a mental paradox. The three-dimensional architectural space is determined by increased clothes, which, with its appearance, embrace human beings, conceal it and form to some extent the intimate space of the individual. Clothes like textile objects are our life companions. They are our first space in which we are living. Within these dedicated bubbles of the space we perceive the external world, which is transmitted into the soul, into our inner world, where imaginary performances and images are born. With them we store personal impressions and express our own emotions. The creative search for an illustration of these imaginary images generated the inspiration from my women clothing collection Impressia, which was based on the research of the artistic historical period - impressionism and its own interpretation of everyday impressions, events and feelings. The collection Impressia derives a new collection of unusual outer garments - textile objects, which under certain conditions turn into distinctive textile interiors, also refers to personal sensory perception and expression of emotions. An important part has the author's diary of drawings and thoughts, which together form textile patterns and individual details in the collection. Each of the five models - the five coats, sensibly forms the relationship between the senses and the emotions, and at the same time, realizes its spatial purpose – the ambiental utility. The individual coat thus introduces the possibility of multifunctionality, which means that every coat can be transformed from the function of clothing into the segment of the architectural space - curtain, carpet, decorative pillow, blanket or seat.
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